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July 2nd, 2008, 03:00 PM
#11
Senior Hostboard Member
Bfish,
That's an offer I can't refuse. Don't be disheartened, maybe they are getting tired of Moondance. Try A Little Touch Of Schmillson In The Night, The Carpenters Greatest Hits, selected Willie Nelson, etc. You could try something more recent but who can say what you might catch. Happy fishin'.
Back on topic. Ted Uzzle has a couple of words on EQ and hearing deficienciesin TL 232A.
Marshall.
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July 2nd, 2008, 03:54 PM
#12
Inactive Member
Thanks for referencing TL 232. That's a real good one. To paraphrase;
"Don't try to equalize for hearing losses...those with imperfect hearing use the same ears to listen to real speech and music, as they do reproduced sounds."
Of particular interest are the venue-specific, typical response curves for SR, theater, monitoring, and hi-level live rock. All have in common varying degrees of LF and HF rolloff. If you consider the monitoring plot the nearest comparable app to your home setup, you'll see that the critical 100-5,000Hz band is EQ'd as flat as possible, with -3dB/octave rolloff both above and below. I believe that 100-5k range is what GM refers to as our "acute hearing BW". It's not likely a coindidence that typical Altec 2-way response is pretty close to those specs right out of the box. The concept also closely follows Hilliard's "balanced BW" philosophy, only in the studio case, it's ~ 2 octaves on each end at a fairly benign -3dB/oct slope.
There's some real good tips for measurement mics in there too. 
<font color="#FFFFFF" size="1">[ July 02, 2008 12:55 AM: Message edited by: bfish ]</font>
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July 5th, 2008, 06:19 AM
#13
Inactive Member
Objection, Your Honor. Speculation. What the prosecuter claims the plaintiffs "thought" is irrelavent and immaterial. Move to strike.
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July 5th, 2008, 03:34 PM
#14
Senior Hostboard Member
Bfish,
" .....and they thought the fisherman invited them back to see his Special Porpoise, your Honour".
Cheers, Marshall.
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July 5th, 2008, 07:48 PM
#15
Inactive Member
Originally posted by bfish:
If you consider the monitoring plot the nearest comparable app to your home setup, you'll see that the critical 100-5,000Hz band is EQ'd as flat as possible, with -3dB/octave rolloff both above and below. I believe that 100-5k range is what GM refers to as our "acute hearing BW". It's not likely a coindidence that typical Altec 2-way response is pretty close to those specs right out of the box.
<font size="2" face="Verdana, Helvetica, sans-serif">Well, ignoring the "Flat as possible" part, of course....
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July 5th, 2008, 08:48 PM
#16
Inactive Member
My bad. I should've used a more universal quantifier than "pretty close", which around here is defined by whether or not your nearest neighbor can see you peeing off your deck.
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July 5th, 2008, 11:07 PM
#17
Inactive Member
Perhaps it's not so obvious, but it's worthy of note Uzzle's TL follows Altecs' RTA/EQ method of seeking naturalness in various venues. Forget impulse response for a moment and think steady-state, with all the reflected energy the room has to offer. Seems we have this nasty habit of not listening in anechoic boxes.
"Naturalness of sound reproduction is a complex combination of accuracy, familiarity, comfort, illusion, and other factors. There is no cookbook for acheiving it, and may never be."
"Do not make one criterion paramount and satisfy it at the expense of all others. Attempting a frequency response ruler-flat from barometric pressure to gamma rays may seem intellectually satisfying, but it sounds awful."
Think of it as an objective event with subjective horizons...in fact, share a holiday brew with me and we'll both think about it.
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